The Working Class Library
The Working Class Library
Podcast Description
The Working Class Library is The Bee’s podcast. Each month Richard Benson, editor of The Bee, and Claire Malcolm, CEO of New Writing North, invite a writer to discuss a book and decide whether it deserves a place on the shelves of the Working Class Library – our imaginary library of great books by and about ordinary people.
Podcast Insights
Content Themes
The podcast focuses on literature intertwined with working-class themes, exploring books that provide insight into the experiences of ordinary people. Episodes revolve around significant works such as Irvine Welsh's Trainspotting, which illustrates the struggles under 1980s economic policies, Hilary Mantel's Giving Up the Ghost, highlighting the impact of a working-class background on personal and professional identity, and George Gissing's New Grub Street examining the literary landscape's class dynamics.

The Working Class Library is The Bee’s podcast. Each month Richard Benson, editor of The Bee, and Claire Malcolm, CEO of New Writing North, invite a writer to discuss a book and decide whether it deserves a place on the shelves of the Working Class Library – our imaginary library of great books by and about ordinary people.
In the sixth episode of the Working Class Library, Kevin Barry joins Claire Malcolm, chief executive of New Writing North, and Richard Benson, editor of The Bee, to discuss Frank McCourt’s 1996 memoir Angela’s Ashes.
McCourt’s account of his poverty-stricken childhood in New York and Limerick has sold ten million copies to date, and has been translated into more than 25 languages. Previously reluctant to believe anyone would be interested in the story of a poor family, the former schoolteacher waited until he was in his 60s to write and publish the book. As Kevin Barry explains, the scale of its success, and perhaps its false association with the ‘misery memoir’ genre, can obscure the brilliance of McCourt’s craft. In their discussion, recorded live at Hexham Book Festival, Kevin, Claire and Richard set it firmly in the Irish literary firmament.
Kevin provides special insight into the Irish setting of the story, as he reveals that his father knew the McCourts, and even went to the same school – Leamy’s – where young Frank was educated. At the end, we ask if it deserves a place on the shelves of our imaginary library of great books by and about ordinary people.

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