Shake the Sphere with Sid

Shake the Sphere with Sid
Podcast Description
Drawing on friends, people I’ve worked with in the theatre and at the university—writers, actors, composers, scholars, teachers—I explore the two halves (hence the word “Sphere’ in the podcast title) of their lives. One sphere is: what they do in life and how they came to do it. I get at this by asking them to tell me both a favorite line and then a work that have stayed with them, influenced them all their lives. And the other sphere is: how their work influences the way they see others, how it defines them, shapes them. The podcast series was inspired by a precious undergraduate of mine who said simply, “You are what you do.”
Podcast Insights
Content Themes
Focuses on the intersection of theater, literature, and personal identity, with episodes featuring discussions on favorite literary works and their impact, such as Shakespeare's influence on character development and the significance of contemporary theater practices.

“Shake the Sphere with Sid”
Sidney Homan is the author of thirteen books and editor of eight collections of essays on Shakespeare and the modern playwrights, and an actor and director in commercial and university theatres. He has been named the University of Florida’sTeacher/Scholar of the Year. His prize-winning Beckett’s Theatres: Interpretations for Performance emerged from his tour of Florida prisons with a production of Waiting for Godot. In A Fish in the Moonlight, he recounts stories of his youth in South Philly and his experience telling them to children on the hospital’s Pediatric Bone Marrow Unit. Bloomsbury/Methuen has published Comedy Acting for Theatre: The Art and Craft of Performing in Comedies, which he wrote with the New York director Brian Rhinehart. And for Routledge Press his most recent book is Pivotal Lines in Shakespeare and Others: Finding the Heart of the Play. He has also written the libretto for the opera The Golem of Prague, with a score by the composer Paul Richards.
About the Podcast:
Drawing on friends, people I’ve worked with in the theatre and at the university—writers, actors, composers, scholars, teachers—I explore the two halves (hence the word “Sphere” in the podcast title) of their lives. One sphere is: what they do in life and how they came to do it. I get at this by asking them to tell me both a favorite line and then a work that has stayed with them, influenced them all their lives. And the other sphere is: how their work influences the way they see others, how it defines them, shapes them. The podcast series was inspired by a precious undergraduate of mine who said simply, “You are what you do.”
Sid talks with Susan Cerasano, the Edgar W. B. Fairchild Professor of Literature at Colgate University. Now, when Susan “talks” about Shakespeare, or Marlowe–for that matter, the words flow from her like some joyous, fast-moving stream, eager to flood its banks. Wonderfully perceptive parallels are made, insights into the characters rooted in Susan's love of the script. Little wonder that she is so popular with students and her colleagues. This is only half the story. Susan is no less interested in the physical Renaissance theatre, its role in the social and political life of the community, as in a piece she contributed to my first collection of essays: ”Theatre Inside and Out: Early Modern Playhouse Yards as Liminal Space.”Susan’s next big project is the story of the business partnership of the actor Edward Alleyn and the theatre entrepreneur Philip Henslowe.

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