Lights Up on the Dark: The Holocaust Onstage
Lights Up on the Dark: The Holocaust Onstage
Podcast Description
Blending performing arts and history, LUOTD delves into what it means to represent the Holocaust onstage. Co-hosting from London and New York, theatre historian Samantha Mitschke and actor Alexandra Gellner discuss all things Holocaust-theatre. Bringing their perspectives as Holocaust educators, the pair look at how theatre can help with teaching and learning about the Holocaust as they offer fresh and thought-provoking insights.
Podcast Insights
Content Themes
The podcast delves into diverse themes focusing on Holocaust education, theatre adaptations, and the historical context of performances, with episodes addressing crucial topics such as the cultural life in the Terezin ghetto, the representation of antisemitism in plays like 'Our Class', and adaptations of significant works such as 'The Boy in the Striped Pyjamas'. Discussions also consider the impact of these themes on current educational practices and societal perceptions.
Blending performing arts and history, LUOTD delves into what it means to represent the Holocaust onstage.
Co-hosting from London and New York, theatre historian Samantha Mitschke and actor Alexandra Gellner discuss all things Holocaust-theatre. Bringing their perspectives as Holocaust educators, the pair look at how theatre can help with teaching and learning about the Holocaust as they offer fresh and thought-provoking insights.
CONTENT WARNING: Explicit content and references to suicide
In this week’s episode, coinciding with the end of Queer History Month in the UK, Sam and Alex explore Martin Sherman’s groundbreaking play Bent. The first major play – if not the first play – to represent the Nazi persecution of gay men, Bent tells the story of hedonist Max, living in 1930s Berlin until he and his lover Rudy are hunted and finally captured by the Nazis. Sent to Dachau, Max pretends to be Jewish rather than gay to get better treatment from the guards, and meets Horst – an openly gay prisoner. The pair gradually fall in love, but Max refuses to admit it until circumstances force him to make a defining choice.
Sam and Alex talk about aspects such as the historical context, including the infamous German law Paragraph 175; the rumours and lack of public awareness about the Nazi persecution of gay men until the play’s inception; Bent’s UK production history, with Sir Ian McKellen starring as Max in 1979 and 1990 under very different circumstances; the question of a ‘different’ ending; and ‘that’ scene…
Don’t forget to comment (especially with your ideas for a different ending), rate, review, subscribe and share!
Hosts: Samantha Mitschke & Alexandra Gellner
Executive Producer: Samantha Mitschke
Producer / Editor: Alexandra Gellner
Music: “Image” by Infraction Music
Contact: https://holocaustonstage.com/contact/
Episode Sources: Full list forthcoming
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