Jonny Tanna is the founder of Harlesden High Street, a gallery rooted in northwest London that centres artists of colour, outsider practices, and community engagement. He explains how the space grew organically from film nights and curatorial experiments into a platform designed to welcome people who are often excluded from the contemporary art world.

Throughout the conversation with brave podcast host and arts editor, Victoria Comstock-Kershaw, Jonny challenges the dominance of the white cube, the decline of traditional art fairs, and the narrow collector base that many galleries rely on. He argues for broader cultural engagement, drawing from music, film, and counterculture, and speaks about Minor Attractions as an alternative fair model that prioritises social exchange, experimentation, and atmosphere.

The episode explores how outsider artists are supported at Harlesden High Street, including Jonny’s approach to curation, performance, and installation. He shares stories that highlight how everyday encounters, local communities, and unconventional narratives shape the gallery’s programme.

Jonny also reflects on sincerity in the art world, warning against the performative use of terms like community and accessibility. He emphasises that galleries are ultimately people-driven spaces and that treating artists and audiences with respect is essential for long-term sustainability.

The conversation closes with future plans for Harlesden High Street, including archival-focused projects, exhibitions exploring music history and cultural shifts, and Jonny’s ongoing commitment to building platforms that prioritise cultural value over commercial posturing.