Give me a break

Give me a break
Podcast Description
Getting work in the art industry can be a rough ride, filled with mystery, elitism and BS. 'Give me a break' hears from those who've made it work their way, often against the odds. Hosted by Harriet Lloyd-Smith, Plaster's managing editor, the podcast is not a career how-to guide; it's a series of honest stories about different paths to success (however that's defined). Spoiler alert: nothing was easy.
Podcast Insights
Content Themes
The podcast explores themes of resilience and creativity within the art industry, addressing topics such as navigating elitism, professional rejection, and the evolving landscape of art journalism. Episodes cover personal anecdotes from figures like Naomi Rea unpacking the complexities of art journalism, Bengi Ünsal sharing her trajectory from music programming to directorship at the ICA, and Harland Miller discussing his experiences as an artist in a competitive field.

Getting work in the art industry can be a rough ride, filled with mystery, elitism and BS. ‘Give me a break’ hears from those who’ve made it work their way, often against the odds. Hosted by Harriet Lloyd-Smith, Plaster’s managing editor, the podcast is not a career how-to guide; it’s a series of honest stories about different paths to success (however that’s defined). Spoiler alert: nothing was easy.

For the latest episode of Give me a break, Harriet is joined by Joe Scotland, director of Clapham-based arts organisation, Studio Voltaire. Born in Coventry in 1978, Joe initially trained as an artist, studying textiles at Goldsmiths, but he soon became less interested in making art, and more interested in making space for it. Joe joined Studio Voltaire in 2003 and became director in 2010. Since then, the organisation has become one of the most respected visual art non-profits in the country, with shows by legends like Phyllida Barlow and Anthea Hamilton to breakout names like Danielle Braithwaite-Shirley. Joe looks back on childhood, where art didn't play a big role, but an early drag experience saw him come into his own, being confronted by issues of class in his early career and overcoming intense shyness. Joe has seen Studio Voltaire through 22 years of immense change, from its 2021 overhaul and increasing fundraising challenges, to a milestone show by Beryl Cook and Tom of Finland, who Joe now dubs his ”queer parents”. In 2023, he was awarded an MBE for services to the arts, a surreal moment that he never imagined for himself.
In lieu of advice, Joe offers a refreshingly frank take on the economic climate for artists now. ”Not to be a Debbie Downer, but a lot of the stuff that I've benefited from or has enabled all this to happen either doesn't exist or is being reduced. If I was the same person from the same family background growing up now, I would not be where I am. It's so difficult now and it doesn't feel like it's being properly addressed. For artists and creatives wanting to get into the industry now, it's so fucked. ” We promised honesty on this podcast, and Joe certainly came through.
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