Tiwa Topia made a whole stained‑glass thesis about how to put Black skin into stained glass, using experimental techniques so light can do the heavy lifting. Tiwa flipped the usual “light-to-dark” idea and sculpted where the light hits to get depth and warmth for darker skin tones — clever, stubborn, and gorgeous.

Tiwa’s show is at The Yards (at the Public Market) with a closing ceremony on Saturday the 26th from 11am–2pm (go see it in person — photos don’t do the light justice), and you can follow their work on Instagram at @awit.glass (Tiwa backwards dot glass).

We chat about how stained glass is both a craft (all those tools and cuts and lead) and an art (how the sun becomes the final artist), why texture and double‑rolled glass like Kokomo or Youghiogheny give that depth, and how being self‑taught meant a lot of trial, error, and obsession.

We also dig into the story behind the work: Yoruba/Ifa references, family proverbs about Agemo, and the messy love of celebrating culture while calling out the parts that exclude people.

Oh, and we nerd out about glass news — Kokomo stopping production and UK safety rules around lead — because materials and maker safety actually matter when you care this much. Come for the color and the craft, stay for the big, complicated, joyful conversation Tiwa’s putting into glass.

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