Miles Osgood talks to Pia Brancaccio about the Buddhist cave monasteries of Western Deccan, the inter-continental exchange of “Maritime Buddhism” along the “Cotton Road,” and the competition between Buddhism and Shaivism at the end of the first millennium C.E.

Pia Brancaccio is currently a Professor of Indian Art and Archaeology at the Università degli Studi di Napoli “L’Orientale” in Italy and at Drexel University in Philadelphia. Her research focuses on early Buddhist art and cross-cultural exchange in South Asia, with a regional emphasis on the visual cultures of ancient Gandhāra (Pakistan) and the Deccan Plateau (India). She has published extensively on the Buddhist caves in the Western Deccan, including a monograph, The Buddhist Caves at Aurangabad (2010), and the edited volume Living Rock (2013). She is currently working on the MAK Project (Mapping Ancient Kṛṣṇagiri) at the Kanheri caves in Maharashtra, India, which aims to produce the first complete archaeological and epigraphic documentation of the site. She has also been a longstanding collaborator with the ISMEO-Italian Archaeological Mission in Pakistan and has written on architecture, visual narratives, artistic workshops, and the multicultural fabric of Buddhism in Gandhāra. She co-edited the book Gandharan Buddhism: Art, Archaeology (2006).