Moments·片刻
Moments·片刻
Podcast Description
In this podcast, Shuangshuang Cai talks to artists, academics, industry practitioners, and entrepreneurs working to imagine the world a better tomorrow and make it happen.
Some of their experiences are experimental, some are highly practical and ambitious, and most importantly, each dialogue is imaginative.
Because we want to engage in dialogue with people from all over the world who are curious about the world and life, to seize the moment, to seize eternity!
Join host Shuangshuang Cai and these amazing people as they experience life as it is meant to be lived.
Podcast Insights
Content Themes
The podcast explores various themes such as art, literature, emotional resilience, and innovative documentary filmmaking. Episodes include discussions with artists and theorists about unique approaches to relationships and individual philosophy, as showcased in episodes featuring Susu on the philosophy of love and James Dunlop on participatory documentary styles.
In this podcast, Shuangshuang Cai talks to artists, academics, industry practitioners, and entrepreneurs working to imagine the world a better tomorrow and make it happen.
Some of their experiences are experimental, some are highly practical and ambitious, and most importantly, each dialogue is imaginative.
Because we want to engage in dialogue with people from all over the world who are curious about the world and life, to seize the moment, to seize eternity!
Join host Shuangshuang Cai and these amazing people as they experience life as it is meant to be lived.
Harry Mackrill was Associate Director of Kiln Theatre 2018 – 2019, and Resident Director of the Tricycle Theatre 2013 – 2015. Harry trained as an actor at the Royal Welsh College of Music & Drama.
Theatre includes: FABULATIONS (Conway Hall/Leicester Curve/Key Theatre Peterborough); WHAT IT MEANS (The Lot); WORLD’S END, BOY WITH BEER (King’s Head Theatre); LET KILBURN SHAKE (Kiln Theatre)
Film includes: LED BY THE CHILD (The Lot), ADJUSTMENTS (The Lot/If Opera)
Harry is currently a Performance-as-Research PhD Candidate at Leeds Beckett (School of Arts Studentship) where he is using queer dramaturgy as a research tool to archive the unrecorded experiences of Section 28 for LGBTQ+ youth 1988 – 2003.
In this episode, Harry shares his extensive experience across both the creative industries and academia.
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