Funny You Should Mention
Funny You Should Mention
Podcast Description
Sure, stand-up comedy makes us laugh, but that’s not its only purpose. Comics use the stage to make arguments and express bigger picture world-views, getting people to laugh in the process of making deeper points. In Funny You Should Mention, a new comedy series from Mike Pesca and The Comedy Cellar, Mike spends an hour with each comic, seeking to identify a broader thesis, and pressing comics to put a finer point on their arguments. Funny comes first, but it’s ideas that are explored on Funny You Should Mention.
Podcast Insights
Content Themes
The show explores themes of comedy as a vehicle for social commentary, with episodes focusing on critical issues like criminal justice, race relations, and personal anecdotes. For instance, Roy Wood Jr. discusses police responsibility, while Django Gold reflects on societal norms through humor. The series emphasizes the blend of entertainment with deeper societal observations, challenging audiences to reconsider their views.
Sure, stand-up comedy makes us laugh, but that’s not its only purpose. Comics use the stage to make arguments and express bigger picture world-views, getting people to laugh in the process of making deeper points. In Funny You Should Mention, a new comedy series from Mike Pesca and The Comedy Cellar, Mike spends an hour with each comic, seeking to identify a broader thesis, and pressing comics to put a finer point on their arguments. Funny comes first, but it’s ideas that are explored on Funny You Should Mention.
Comedian, freestyler, and archaeology grad Chris Turner joins the show to explain how a middle-class British kid became one of the most dazzling improv lyricists in comedy. From his early days writing one-liners to mesmerizing crowds at the Comedy Cellar with rhymes about chlamydia, Hispaniola, and Jerry Springer, Turner charts a path that makes no sense—until you see it live. He talks about bombing in polite accents, fax machines causing drive-by shootings, and why freestyling is more like tennis than chess. Plus: ear-wiggling, axolotl envy, and the double-edged sword of being good at something nobody believes you can do.
Produced by Corey Wara
Production Coordinator Ashley Khan
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