The Indie 500 Podcast
The Indie 500 Podcast
Podcast Description
A discussion and dissection of the top 500 albums according to NME magazine (list from 2013)
Click here for a running playlist of songs we love throughout this process
https://open.spotify.com/playlist/7LyhmmbnCsBqZS4Rb6E6bG?si=NeB5PImyTJuK-baa42LvFg
Podcast Insights
Content Themes
The podcast covers a wide array of musical themes and topics, including in-depth album analysis, cultural commentary, and music history. Specific episodes have focused on influential albums like Funkadelic's 'One Nation Under a Groove' and Gillian Welch's 'Revival,' exploring their historical context, musical intricacies, and cultural significance. The hosts also incorporate personal stories, listener questions, and segments like a recipe inspired by the album.

An indie music podcast featuring discussion and album reviews of the Indie Rock albums from NME’s 2013 Top 500 Albums list, with a focus on music history and world history. Each episode digs into the story of the album and the era it was recorded in, profiles the artists, and features interviews with musicians, critics, and writers. We’re prone to following the rabbit down the hole — expect offshoot episodes chasing whatever topic we get fascinated with along the way.
This week the Indie 500 spins Screaming Trees' Dust from NME's 500 Greatest Albums of All Time. We're joined by music journalist and author Gillian G. Gaar, a longtime writer for The Rocket, Seattle's legendary free music paper, and a contributor to Mojo, Rolling Stone and Goldmine. Her new book, Grunge: The Story of the Music That Redefined Rock (Quarto), is out October 13, 2026.
Gillian takes us inside The Rocket's offices in the years before grunge exploded. That was a Seattle of chainsaw-cut exit doors, punk shows at Elks lodges, and a 1984 poster that declared the local scene ”found dead.” She explains why Deep Six and Sub Pop 100 make 1986 the starting line, and how Jack Endino's cheap Reciprocal Recording became the scene's sound. She also looks at how Sub Pop's hype turned into self-fulfilling prophecy, and why Seattle bands helped each other instead of competing. From there we cover the pressure that money and major labels brought, the losses of the early '90s, the Soundgarden and Alice in Chains reunions, and the Pacific Northwest bands history skipped over. We also discuss why grunge may have been the last great organic music movement.
Catch Gillian at Elliott Bay Book Company on Capitol Hill on October 14 (free, all ages), and later next month October 24th at her event in Aberdeen at Unplugged at The Music Project
Chapters
- 0:37 Intro: Gillian G. Gaar and The Rocket
- 1:46 Who was G3? Writing for Backlash
- 6:24 Getting hired at The Rocket (thanks, Kate Bush)
- 10:32 Seattle's punk scene in 1979
- 13:57 ”Seattle Scene Found Dead”: the 1984 poster
- 16:15 Why 1986? Deep Six and Sub Pop 100
- 18:28 ”A Bunch of Noises, All Distinct”
- 24:03 Why Seattle cooperated instead of competed
- 25:43 Black Flag, Big Black and touring punk
- 26:52 Jack Endino and Reciprocal Recording
- 28:39 Sub Pop, hype and ”world domination”
- 34:11 Women and diversity in the early scene
- 40:44 When Nevermind hit #1
- 43:48 How money changed the scene
- 47:58 Grunge's ”jump the shark” moment
- 52:30 ”The best of times and the worst of times”
- 56:34 Grunge on the NME 500 list
- 59:13 The last organic music movement
- 62:23 Instant oatmeal trivia and the bucking spitting mummy cat
- 65:23 Collecting grunge memorabilia
- 69:55 Reunions: Soundgarden, Temple of the Dog, Mad Season
- 72:40 Overlooked Seattle records
- 78:32 The Indie 500 time machine
- 82:43 Book events and where to find Gillian
- Pre-order Grunge: The Story of the Music That Redefined Rock
- Elliott Bay Book Company event, Oct 14
- Aberdeen event Unplugged at the Music Project
- Gillian on Instagram: Gillianthegaar
- X @Gilliangaar
- Facebook: https://www.facebook.com/GillianGaarWriter
Thank you to Quarto Publishing for the complimentary copy of the book. There was no money exchanged and we were free to speak our minds on the book.

Disclaimer
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