Most filmmakers think of color as the final polish — something you fix in post. But what if it’s actually where the vision begins?In this episode, I talk with Eniko Edelsbrunner www.magiclemur.com – a top-tier colorist with a PhD in mathematical biology, about how to design a film’s emotional tone from the ground up. We explore how lighting, LUTs, and communication between directors and colorists can save you time, elevate your visual style, and help your story land emotionally.Whether you’re shooting a feature or a doc, this conversation will change how you think about color — and might just save your next film.