Happy Pride Month to our LGBTQ class of listeners and aspiring filmmakers!

The Rad Revival House embarks on its first-ever Pride Month tributes with a double-feature of great LGBTQ-based films: the gripping 1961 drama THE CHILDREN’S HOUR, and the light-hearted 1993 foreign comedy-drama THE WEDDING BANQUET. Joining our analysis is Sam Levy, co-host of the great Informed Nostalgia Podcast and frequent RRH Special Guest Lecturer, as he sheds light on what these two pictures mean to him as a film lover as well as a gay man.

First, Sam and our host, Professor Cesare Augusto, analyze William Wyler’s tragically beautiful film, THE CHILDREN’S HOUR. Based on a play by Lillian Hellman and remade from Wyler’s own film THESE THREE, THE CHILDREN’S HOUR focuses on a near-literal Hell on Earth brought upon by two working teachers, Karen (Audrey Hepburn) and Martha. The two women run an all-girls school, where one student, a bratty, compulsively lying girl named Mary (Karen Balkin), maliciously starts a lie that Karen and Martha are secretly lovers. Mary’s lie escalates into a scandal as the parents of the students begin removing the children from the school, resulting in Karen and Martha’s professional reputations and personal lives being severely damaged. Complicating matters is Martha revealing she did indeed harbor romantic feelings towards Karen, driving a wedge into the latter’s engagement with a local doctor (James Garner).

THE CHILDREN’S HOUR is a great socially-driven film, and quite daring in its subject matter for the time (the conservative early 1960s). Both Sam and Cesare celebrate the picture’s excellent performances, (while Sam personally prefers its predecessor, THESE THREE), and enthusiastically acknowledge the film’s fierce stance against society’s ignorant intolerance towards the gay community.

On the second film of this Pride Month double-feature, THE WEDDING BANQUET also offers an ahead-of-its-time approach, this time with an ethnic twist. Directed by Ang Lee (BROKEBACK MOUNTAIN, CROUCHING TIGER, HIDDEN DRAGON), THE WEDDING BANQUET features an interracial gay couple (Winston Chao and Mitchel Lichenstein) and their well-intentioned, if trouble-prone attempts at helping a friend. Eager to help his Chinese tenant Wei-Wei (May Chin) to permanently reside in the U.S., Wai-Tung agrees to pose as her fiance, at the suggestion of his boyfriend Simon). The ruse works painfully too well, as Wai-Tung’s parents fly to the U.S. from China to host a wedding ceremony for both Wai-Tung and Wei-Wei. A lavish banquet and an awkward living situation ensues as the newly-married “Couple” inadvertently conceives a child in the chaos.

Sam and Cesare analyze what makes THE WEDDING BANQUET so special. Unlike other “gays pretending to be straight” films like LA CAGE AUX FOLLES and its remake, THE BIRDCAGE, THE WEDDING BANQUET offers a more subtle and even sad tones to its otherwise humorous spin. Directly Ang Lee provides a fascinating look at interracial gay couples and how they must contend with traditionalist values thrown upon them. Our reviewers appreciate the film’s positive dignity that it offers towards the LGBTQ community, giving a happier, wittier spin towards their lifestyle!