Unscripted and Unchoreographed
Unscripted and Unchoreographed
Podcast Description
Unscripted and Unchoreographed is a podcast that delves into the creative process and the stories behind the art.
Hosted by Sarah Deane and Niamh McPhilips, the show features candid conversations with talented artists, exploring their journeys, inspirations, and the impact of their work.
Whether you're an artist or an art enthusiast, this podcast offers a unique glimpse into the minds of creatives and their projects, both current and future.
Join us for inspiring, unscripted discussions that celebrate creativity in all its forms.
Podcast Insights
Content Themes
The podcast explores various themes related to creativity, artmaking, and the personal journeys of artists. Key topics include the creative process, arts funding, and the significance of artistic collectives, with episode examples such as Ruaidhrí Maguire discussing his choreography, Nóra Ní Anluain Fay sharing insights on her latest performance, and Siun O'Kane exploring her experiences in musical theatre.

Unscripted and Unchoreographed is a podcast that delves into the creative process and the stories behind the art.
Hosted by Sarah Deane and Niamh McPhilips, the show features candid conversations with talented artists, exploring their journeys, inspirations, and the impact of their work.
Whether you’re an artist or an art enthusiast, this podcast offers a unique glimpse into the minds of creatives and their projects, both current and future.
Join us for inspiring, unscripted discussions that celebrate creativity in all its forms.
Ami began her actor training at the age of three and has performed in numerous TV dramas and theatre productions, including Marie Antoinette: A Musical, directed by Tamiya Kuriyama, and the opera The Magic Flute, directed by Emmanuelle Bastet. Alongside acting, she became a versatile dancer, training in classical ballet, ballroom dance, street dance, and Tanztheater, winning multiple national and international ballroom dance competition prizes. Before relocating to London in 2022, she honed her acting techniques through American Realism plays and Japanese martial arts breath practices, while also writing and directing two plays in Japan. She recently completed her MFA in Movement: Directing and Teaching at the Royal Central School of Speech and Drama. Her movement direction credits include the opera L’Olimpiade at Vache Baroque, and her directing credits include Net Café Refugee at Camden People’s Theatre.

Disclaimer
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