We mark the London premiere on August 26, 1952 – 72 years ago today – of the film “An American in Paris.” With music by George Gershwin (1898-1937), directed by Vincente Minnelli, starring Gene Kelly, Leslie Caron, and Oscar Levant, the flick won six Academy Awards, including the Oscar for Best Picture. While the film actually opened in New York City on October 4, 1951, this London premiere offers us all the excuse we need to examine both the film and the music that inspired it, George Gershwin’s programmatic orchestral work, An American in Paris.

Here’s how we’re going to proceed.  Today’s Music History Monday post will deal specifically with Gershwin’s An American in Paris, a roughly 21-minute workfor orchestra composed in 1928.

Tomorrow’s Dr. Bob Prescribes post will feature the 1951 film of the same name, focusing on (and excerpting) four of its musical numbers.

Statement

George Gershwin is among the handful of greatest composers ever born in the United States. His death at the age of 38 (of a brain tumor) should be considered an artistic tragedy on par with the premature deaths of Schubert (at 31), Mozart (at 35), and Chopin (at 39). 

He was born Jacob Gershovitz (though his birth certificate reads “Jacob Gershwine”), the child of Russian Jewish immigrants, on September 26, 1898.  He was born at home, in a flat at 242 Snediker Avenue in the Brownsville neighborhood of Brooklyn, New York.  

(In 1963, a bronze plaque commemorating Gershwin’s birth was affixed to the building.  By the 1970s, the neighborhood had fallen on very hard times: the plaque was stolen – it is still MIA – and the building vandalized.  It burned down in 1987, and all that remains today of this once thriving neighborhood of immigrants is a blighted area of warehouses and junkyards.)

Rarely has a major composer begun his life in an artistically less promising manner.  Tall, athletic, and charismatic, Gershwin was the leader of his various tenement gangs, playing street ball, roller skating everywhere, and engaging in petty crime.  By his own admission, he cared nothing for music until he was ten, when George’s parents Morris and Rose bought his elder brother Ira a piano.  But it was George who attacked the thing, with an intensity and precocity that shocked everyone.  …

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Addendum: A Heartfelt Postscript

This will be my final Music History Monday podcast and post.  I have been writing Music History Monday for exactly eight years – since September 5, 2016 – during which I have created over 400 of them.  It’s been a wonderful run, and now it’s time for me to return to writing music.  From here on out, my blogging and vlogging will take on the character of a personal journal punctuated with generalized and editorial commentary, all of which will be accessible through my Patreon subscription site at Patreon.com/RobertGreenbergMusic. 

If you are not already part of my Patreon family, I would urge you to consider joining us!

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