Welcome back to Books, Bud, and Brews. I love saying that!

What a week. This week was really hard. I had to just unplug from all the media, and I needed to rest, and regroup a little bit, and I took a morning nap, which felt amazing, and I woke up actually feeling much better, and it was an accidental nap. *chuckles* I was watching the Reading Rainbow documentary, and that actually was just the pep talk I needed.

I don’t know—it’s so strange, sometimes when I watch things, or read things, they’re exactly what I need, and it was wild. Reading Rainbow—still saving my generation’s sanity, to this day.

So, what are we talking about today? We are talking about writer burnout, which is taking us out, one by one, like dominoes, and we don’t talk about it at all. So I’m gonna talk about it.

We’re also going to talk about character trauma, and character arcs, and healing together from trauma, in romance.

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author burnout

So, creative burnout. It’s a thing. It happens to writers. It happens to us a lot. It’s an issue in our community that we don’t talk about. I don’t think readers are even remotely aware. I just think readers kind of see—you guys see the after effects of burnout, right. You’ll see that the series you’re really into is not being continued anymore, or that author’s not on social media anymore. Or, you’ll see author’s kind of rescheduling releases a lot or completely cancelling different releases, different events, stuff like that. I’ve also seen authors be really up front with readers, like “Hey, I’m going through this thing right now, and I just can’t get this book out at the moment. I need a moment for myself, and I need to regroup, reset, and relax, and reevaluate things. The wonderful thing about the book community is, people are generally pretty supportive of this. Which is why I don’t understand why we don’t talk about it, because our readers are very supportive, other authors are very supportive.

We got sucked into this myth that we have to publish quickly because the algorithms on certain retailers favor that. The thing is, before those algorithms were a thing, we were lucky if we saw a book a year from our favorite authors. I mean, authors were creating pen names so they could publish more than one book in a year. The norm really was every year or so you’d get a new book from that author. Sometimes even longer. Books used to take years and years and years in between, like, series books. I mean, if you don’t have the experience of waiting for the next book in the series, and you’re just so hungry for any news, and then it comes out, and you get that first cozy-up with it—it’s the best.

So we didn’t always have this insane breakneck speed schedule. Readers were happy waiting, writers would just take their time, focus on the craft. Things would just naturally come out, and people would get to enjoy them.

Now, there’s nothing wrong with a fast release schedule, do not get me wrong. Because it can be great, there are people who literally read books *snaps fingers* within hours. You’re amazing. So no hate to people that write fast or read fast. What I’m really talking about is when we kind of get stuck in this thought that, “I have to serve this algorithm. I have to be on this schedule. I have to be very fast. I have to keep putting books out. I have to release weekly, or monthly.”

I have actually seen people trying to do weekly schedules. I’ve seen people do monthly. It’s… a lot. The authors are suffering. That’s the thing. If people were not burning out so bad, and things were just moving along, that would be fine. The problem is, all the time, authors are disappearing, never to be heard from again. Authors that were doing well—that were kicking ass in their careers, that were really just taking off, and then all of a sudden, they burn out. I’ve seen authors talk about it, to the extent where they’ll kind of explain a little about what’s going on, and then I’ve also seen authors just never come back, either.

There’s also an issue within the industry of an expectation of speed. I was just talking with some authors and other industry people about how they’re formatting books and copyediting books that aren’t even written yet. So if you can kind of break that down and digest what I just said, they are copyediting books that are not written yet. *chuckles* I don’t know how that works. He explained it, it sounds stressful for everyone on all sides of it.

I don’t know what we’re doing.

I think that we need to start saying no. I think that we need to start putting boundaries for ourselves and others, and I think we need to lose the mindset that we are all in competition with each other. This kind of competitive spirit has become toxic. It’s one thing to push yourself and to want to do better, and keep pushing forward, and it’s another to just pit all authors against each other, and constantly be working against each other. We are actually on the same side, because I don’t know about you guys, but I can’t keep up with a person who can read three to five books in a day. *laughs* Never mind one book a day. I’m just always amazed by how quickly people tell me they read my books, or other books, or how many books they read in a day. That kind of thing always blows my mind, because at this point I feel like I’m lucky to read a book a year.

So what can we do? We can talk about it. That’s all I wanted. I’ve actually been in author groups where I posted something just saying, “Hey guys, we really need to talk about this, and try to figure it out, because we really are disappearing.” We’re burning out at, I think, a pretty steady rate, and it’s kind of alarming. I’ve also experienced burnout for myself, and I don’t want that, our readers don’t want that, we don’t want that for ourselves. We want better for ourselves. We want to have businesses that are sustainable and fun, and we keep getting better at what we do, and we do cool shit together. That’s what I think. So I think we start talking about it, and we collaborate on solutions for burnout. We get more collaborative in general. You know, you’re not my competition, I’m not your competition, because they’re gonna read all of our books, and then some. *laughs* So we don’t need to worry about whose book they want to read. They’re gonna read all the books.

And we also start setting boundaries for ourselves. We really think about, “If I’m going to publish a book a month, if that’s something I am going to do, that I’m comfortable with and able to do, and I can do it in a healthy, sustainable way, then what are the boundaries I’m going to put into place for myself?” Because you can’t keep pouring out of yourself if you have nothing coming in. And if you’re constantly working late, working weekends—and I understand a lot of us don’t have the flexibility in our lives to have a steady, consistent schedule at all. I mean, I don’t have kids right now, but I do have chronic illnesses. They’re like kids, they’re always needing something, they don’t go away, they don’t go with their dad for the weekend. *chuckles* Some of us are writing nights, some of us are working around other work schedules, some of us are working around family, so it’s a lot of different things that are going on.

But say I work nine to five. I stay tight within those boundaries. Or if I can only grab time where I can, say I’m writing tonight, then it’s only gonna be for an hour, 9-10 p.m., and then I’m done, I’m going to rest or relax or do something else. It’s about boundaries.

It’s also about saying no… to people that think we can *snaps fingers* generate a book. This is where it’s going to get interesting, because we have this AI technology now. We are not meant to just vomit things out. We’re not supposed to just endlessly go go go, we are human beings. We are meant to experience, and feel, and enjoy our lives. Yes, enjoy. We are meant to enjoy, and experience—even if the circumstances around us are not ideal and perfect, we’re still meant to enjoy and feel and experience. We are not supposed to keep going and burn ourselves out.

So I think those three things are a great starting point. We talk about it, we start collaborating more, and we keep some boundaries.

reading to you

Today we are reading from A Disturbing Prospect, Book 1 in my River Reapers MC series.

A Disturbing Prospect, Chapter 2

That was Chapter 2 from A Disturbing Prospect. You can go back and watch Chapter 1. The entire book is available for free everywhere ebooks are sold, and it’s also available on my website in serialized chapters, and I have signed paperbacks available.

what a character:
Healing trauma through reading

From ex-con to leader of the MC

Last week we read Chapter 1 of A Disturbing Prospect, and Cliff got out of prison, and he is trying to figure out pretty much everything. He doesn’t have a place to stay, he doesn’t have anywhere to go, he doesn’t have a job, he doesn’t know if he has any friends or family that he’s going to be able to have as a support system, and he’s figuring everything out. His character arc is pretty awesome. I’m going to try not to spoil anything.

So when Cliff gets out of prison, he is dealing with several traumas. He’s processing so much. He has just gotten out of prison after a 20-year sentence. He’s dealing with grief, and loss. He’s also dealing with having witnessed a child hurt. He’s dealing with separation from his family. And he’s dealing with reintegration, getting back into society.

Everything is different for him. Those are the things he notices is everything is different. He is not familiar with anything anymore. The technology has changed, everything that he knew going in is pretty much horribly outdated, and there’s all this new stuff that he’s gotta figure out. So the first thing he has to figure out is, how does he find his family, so that he can maybe have a chance. Because the statistics of inmates committing another crime are really high when they first get out. Turns out there’s really no rehabilitation happening in these “rehabilitation centers.” There isn’t as much of a reintegration process that you’d think.

All of these things shape this characters as he’s—as you’re introduced to him in the story. You’re just kind of dropped into right when he gets out of prison, and he’s kind of just taking everything in, and realizing, “I’m all alone, I don’t have anyone, I don’t have anywhere to go. My only shot is finding my cousin.”

That character starts out very not sure-footed at all, really just having to pick up and really start building—and quick. He doesn’t have time or room for any trouble, anything that could potentially land him back in. He really just wants to be out, and not be there again. So this is a character that’s used to solving every problem with his fists and violence, and now he’s in a situation where he can’t do that at all anymore. He’s gotta do things the “legit way.” He’s gotta do things by the book. He’s gotta make sure he checks in with his P.O., make sure he gets a job right away, he has a place to stay—ticks off all the boxes because he does not want to go back inside.

Those survival behaviors that he had before don’t suit him anymore. He knows what he is and what he’s done, and he’s really trying to do different. After 20 years in the prison, living like that, having to fight to defend yourself, not having contact with anyone in the outside world, can he change? That’s what he wonders when he first comes out, Can he even change? Does he even have a shot at having a future, a family, falling in love…?

He can’t do it alone—we all need support—so the first thing he does is try to find his cousin and reconnect with her, because that was his best friend. But because of what happened and why he went into prison, he doesn’t necessarily know if he’s going to be able to find her, or if she’s even gonna want to talk to him. He’s very much dependent on her accepting him back into her life.

Their relationship was very, very good, they were very very close, like this, like siblings basically, except he was much older than her, so kind of more of a chibling relationship. He is really hinging everything, like, “If I can’t reconnect with this person, and she doesn’t want me, then that’s okay, I will go away… but then I’ll go away.” *chuckles* “I’ll go away… but I’ll also go away.”

So he’s in a very shitty position. It brings up issues of toxic masculinity, because he’s feeling like, “I should be the one taking care of her. I should have a job, I need to fucking get my shit together, I need to man up.” He uses those exact words. He just spent 20 years stuck in a prison with all these other men where it really is fight or die. It’s not a vacation.

So this character is dealing with all that, processing all that, and then he meets Olivia, and everything changes for both of them. They are immediately attracted to each other, and recognize something in each other. They also, because of their own individual traumas, can’t quite connect. He’s just getting out of prison and he’s like, “I gotta check all these boxes, because I’ve missed 20 years of my life. I want to have a family, I want to settle down… and I gotta do it yesterday.” Right? So he’s like ready to go, and she’s like “Uh, no.” She doesn’t want those things at all. They both have very good reasons for wanting and needing the things that they need and want.

They also complement each other at the same time. They also each have what each other needs. They have found a home and a family in each other.

Cliff immediately starts gathering his sort of support system. He’s got his cousin Lucy, he’s got Olivia, he’s also going to be having this P.O. that he can check in with, and then he will eventually have the club’s support as well.

He’s having to kind of learn everything on the fly, completely just picking it up and going. He doesn’t know what Facebook is, he doesn’t know how to use a cell phone, and he’s finding that even socially things have changed quite a bit, like in his own community. The people that he was familiar with have all faded away—the letters, the calls, the visits, those have gone. He doesn’t have any real community at all anymore. That looks completely different from what he remembers growing up.

Throughout the series, we see this character becoming less reluctant and more aware of his family history, and the generational trauma that he’s inherited. Through that understanding that he’s gaining, as he’s kind of navigating his role in the club and becoming a fully patched member, he starts to realize that he does want the club. He wants to make it what it could be. His father left a legacy that’s not so great. [Cliff] knows what he wants for it.

He goes from a person who has nothing, and has no direction, no support system—nothing—to a person who is leading. After not wanting to lead, but coming into that. Which has been so fun and so rewarding to write, and read. I know you guys love him.

His character was actually influenced by people I know in real life who did do time—throughout the years, spent a lot of time in prison, and actually were in prison longer than they were out. Through those experiences, they definitely have an interesting way of looking at life, and they have a very… amazing personality, quite honestly, because I think that it could change you. You could let it—like, Cliff worries about, is it going to change him, is he still going to be that monster that he thinks he is, he thinks he’s always going to be that person that went in and spent those 20 years in there.

It’s really easy to be that person, quite honestly. I think it’s easy to just give in and just let those things take over, and forget about what’s important, what’s within your control. I think it’s so much easier to just give in to it. Whereas, you can work and develop and evolve, and… I don’t want to say, like, “Take the lesson,” because prison is a very complicated conversation, and I don’t necessarily want to fully get into it, but I don’t think that most people start off in life thinking, “You know what I really hope? I hope I do some hard time!” *chuckles*

Most people are good people, and that’s not what they were intending at all. I think our system should reflect that, and support that, instead of supporting the chaos and trauma that come from being in prison. What I really wanted to do was highlight how very little support there is, and how very much we emphasize that prisoners should rehabilitate, but we give them very little support or opportunities to do that.

People can’t even get jobs coming out of prison. Most employers won’t hire a felon, and it doesn’t even matter if the crime wasn’t violent. In fact, recently I learned that most nursing homes won’t even let a felon recuperate in their nursing homes, even if they weren’t a violent criminal. That to me is just insane. You’re not giving people opportunities to actually come back into society. You’re completely blocking them out because of their past mistakes.

Through Cliff, I really wanted to highlight these things and draw awareness and attention to it, because it really is something that’s not mainstream at all. It’s just kind of always used as a plot device, like, “Oh, this character’s done hard time.” Well, you know, that comes with a lot of its own trauma, it comes with a lot of its own baggage, and it’s very interesting to explore, and I think it’s something worth talking about.

If you enjoyed this discussion on author burnout and character growth from prison to leader of the MC, please let me know. Please leave a comment on YouTube, you can also DM me, you can email me, or you can leave a comment on the shownotes on my blog.

Thank you so much for listening to Books, Bud, and Brews! I’m Elizabeth Barone, author of dark romance with a body count, and small town romance with a body count. You can check out all of my books, including some free books and chapters, on my website ElizabethBarone.com.

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