Monstrosities Mon Amour

Monstrosities Mon Amour
Podcast Description
In Monstrosities Mon Amour we celebrate places and things that have been unfairly monstered in popular opinion. Host John Grindrod will be your excitable guide to a world beyond the lazy stereotypes of crap towns and guilty pleasures. He'll be meeting people who’ll share their enthusiasm for monsters major and minor, places that get a bad press and cultural artefacts that need to be rescued from the bin.
‘Warmly, welcomingly geeky.’ Jude Rogers, Observer
‘What a breath of fresh air … a genuine celebration of places and culture it’s all too easy to dismiss.’ Radio Times
Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando.
You can support the podcast by subscribing through Substack or https://ko-fi.com/grindrod.
Thank you for listening. johngrindrod.substack.com
Podcast Insights
Content Themes
The podcast delves into themes of cultural appreciation, urban spaces, and pop culture phenomena, with episodes focusing on towns that face stigma, quirky architectural features, and nostalgia for forgotten trends. For example, episodes celebrate the gothic architecture of Minster Court and the American-style relics of Swindon while discussing topics like class and excess in society.

In Monstrosities Mon Amour we celebrate places and things that have been unfairly monstered in popular opinion. Host John Grindrod will be your excitable guide to a world beyond the lazy stereotypes of crap towns and guilty pleasures. He’ll be meeting people who’ll share their enthusiasm for monsters major and minor, places that get a bad press and cultural artefacts that need to be rescued from the bin.
‘Warmly, welcomingly geeky.’ Jude Rogers, Observer
‘What a breath of fresh air … a genuine celebration of places and culture it’s all too easy to dismiss.’ Radio Times
Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando.
You can support the podcast by subscribing through Substack or https://ko-fi.com/grindrod.
Thank you for listening.
Turner Contemporary was the first modern art gallery in Margate this century, right? Wrong. And why are so many studio pottery teapots languishing in charity shops?
Margate, on the north Kent coast, is famous for its amusement palace, Dreamland, for the Chas and Dave song, and for its hipster reinvention this century thanks to David Chipperfield’s Turner Contemporary. But before that gallery opened, another modern seafront structure – the Drum – by a very different modern architect – Terry Farrell – was built here, also celebrating the work of Turner. How did the town end up with two amazing contemporary buildings on the front, and why isn’t the Drum better known – or more widely loved?
And why aren’t people going nuts over the earthy brown wonder of late twentieth century British studio pottery? Especially the teapots. Well, someone is. And I’ve met him.
And that person is writer and artist Dan Thompson, who has lived in Margate for over a decade, and whose work has involved everything from epic community action, pop ups, poetry and large-scale history pieces, and has brought him together with master potter Keith Bymer Jones among any others. You can find out more about Dan’s work on his Substack (Dan Thompson Studio – see below), on his site https://mrdanthompson.wordpress.com/ or on his online shop https://payhip.com/DanThompsonStudio.
Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando. You can support Monstrosities Mon Amour by subscribing through Substack or through Ko-fi at https://ko-fi.com/grindrod
Grindrodia is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.
Get full access to Grindrodia at johngrindrod.substack.com/subscribe

Disclaimer
This podcast’s information is provided for general reference and was obtained from publicly accessible sources. The Podcast Collaborative neither produces nor verifies the content, accuracy, or suitability of this podcast. Views and opinions belong solely to the podcast creators and guests.
For a complete disclaimer, please see our Full Disclaimer on the archive page. The Podcast Collaborative bears no responsibility for the podcast’s themes, language, or overall content. Listener discretion is advised. Read our Terms of Use and Privacy Policy for more details.