Monstrosities Mon Amour

Monstrosities Mon Amour
Podcast Description
In Monstrosities Mon Amour we celebrate places and things that have been unfairly monstered in popular opinion. Host John Grindrod will be your excitable guide to a world beyond the lazy stereotypes of crap towns and guilty pleasures. He'll be meeting people who’ll share their enthusiasm for monsters major and minor, places that get a bad press and cultural artefacts that need to be rescued from the bin.
‘Warmly, welcomingly geeky.’ Jude Rogers, Observer
‘What a breath of fresh air … a genuine celebration of places and culture it’s all too easy to dismiss.’ Radio Times
Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando.
You can support the podcast by subscribing through Substack or https://ko-fi.com/grindrod.
Thank you for listening. johngrindrod.substack.com
Podcast Insights
Content Themes
The podcast delves into themes of cultural appreciation, urban spaces, and pop culture phenomena, with episodes focusing on towns that face stigma, quirky architectural features, and nostalgia for forgotten trends. For example, episodes celebrate the gothic architecture of Minster Court and the American-style relics of Swindon while discussing topics like class and excess in society.

In Monstrosities Mon Amour we celebrate places and things that have been unfairly monstered in popular opinion. Host John Grindrod will be your excitable guide to a world beyond the lazy stereotypes of crap towns and guilty pleasures. He’ll be meeting people who’ll share their enthusiasm for monsters major and minor, places that get a bad press and cultural artefacts that need to be rescued from the bin.
‘Warmly, welcomingly geeky.’ Jude Rogers, Observer
‘What a breath of fresh air … a genuine celebration of places and culture it’s all too easy to dismiss.’ Radio Times
Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando.
You can support the podcast by subscribing through Substack or https://ko-fi.com/grindrod.
Thank you for listening.
What’s so special about this modest little bridge in a central London park? And why is twentieth century architecture’s saviour Catherine Croft a capybara superfan?
St James’s Park in London is surrounded by spectacular acrhitecture: the Foreign and Commonwealth Office, Buckingham Palace and Horseguards Parade. But in the middle, over the lake, is a polite little mid century bridge, that hides a few secrets. Designed in the mid-fifties in a Festival of Britain style by Eric Bedford, chief architect of the Ministry of Works – the man who also designed the Post Office Tower – the Blue Bridge is a modest structure that’s all about the view and not about its own presence. Now we live in an era when such modesty is unthinkable for a centrepiece in a royal park, and it is soon to be demolished. Catherine Croft, Director of The Twentieth Century Society, shares her love of the bridge, her memories of family trips and the design heritage it stands for. And also, why guardsmen were so obliging at testing it out.
Meanwhile when not thinking about saving and celebrating modern buildings, Catherine is mainly thinking about capybaras. Discover how a modernist zoo led her to a love of these giant rodents, and why they have become a Tiktok sensation.
Catherine Croft is Director of the Twentieth Century Society, an organisation that campaigns for the protection and wider appreciation of modern buildings and places. But it didn’t stop her from bashing me over the head and kidnapping me in her Austin Maxi, to wax lyrical about the charms of functional bridges and freaky giant rodents.
Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando. You can support Monstrosities Mon Amour by subscribing through Substack or through Ko-fi at https://ko-fi.com/grindrod
Get full access to Grindrodia at johngrindrod.substack.com/subscribe

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