Monstrosities Mon Amour
Monstrosities Mon Amour
Podcast Description
In Monstrosities Mon Amour we celebrate places and things that have been unfairly monstered in popular opinion. Host John Grindrod will be your excitable guide to a world beyond the lazy stereotypes of crap towns and guilty pleasures. He'll be meeting people who’ll share their enthusiasm for monsters major and minor, places that get a bad press and cultural artefacts that need to be rescued from the bin.
‘Warmly, welcomingly geeky.’ Jude Rogers, Observer
‘What a breath of fresh air … a genuine celebration of places and culture it’s all too easy to dismiss.’ Radio Times
Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando.
You can support the podcast by subscribing through Substack or https://ko-fi.com/grindrod.
Thank you for listening. johngrindrod.substack.com
Podcast Insights
Content Themes
The podcast delves into themes of cultural appreciation, urban spaces, and pop culture phenomena, with episodes focusing on towns that face stigma, quirky architectural features, and nostalgia for forgotten trends. For example, episodes celebrate the gothic architecture of Minster Court and the American-style relics of Swindon while discussing topics like class and excess in society.
In Monstrosities Mon Amour we celebrate places and things that have been unfairly monstered in popular opinion. Host John Grindrod will be your excitable guide to a world beyond the lazy stereotypes of crap towns and guilty pleasures. He’ll be meeting people who’ll share their enthusiasm for monsters major and minor, places that get a bad press and cultural artefacts that need to be rescued from the bin.
‘Warmly, welcomingly geeky.’ Jude Rogers, Observer
‘What a breath of fresh air … a genuine celebration of places and culture it’s all too easy to dismiss.’ Radio Times
Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando.
You can support the podcast by subscribing through Substack or https://ko-fi.com/grindrod.
Thank you for listening.
Why is there a standing stone and a burgeoning counter culture to be found on a pedestrian junction of the M32? And why are good second hand cardigans just so goddam hard to come by? Join me and writer Gareth E Rees to discover the mysterious haunted side of midcentury modernity.
Bristol, magnificent city of cathedrals, waterways and university cloisters. Also, home of Junction 3 of the M32, where a curious pedestrian crossing seems to feature any number of haunted objects and all sorts of human life. Gareth E Rees is the author of Car Park Life and Unofficial Britain, and here he kidnaps me so we can see one of the places he’s most enjoyed on his travels.
While we’re there he also gets to wax lyrical about the disappearance of the thin cardie, a staple of mods and sitcom dads now hard to find, even on Vinted. We recreate our youths as indie t-shirt wearing herberts, and discuss how Richard Briers is a style icon. In this edition of Monstrosities Mon Amour we talk psychogeography, Concrete Island and knitwear. Hot stuff.
Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando. You can support Monstrosities Mon Amour by subscribing through Substack or through Ko-fi at https://ko-fi.com/grindrod
Get full access to Grindrodia at johngrindrod.substack.com/subscribe
Disclaimer
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