In this thought-provoking episode of Drag Me to Heaven, I sit down with LaWhore Vagistan, the dazzling and unapologetic drag persona of Kareem Khubchandani—a researcher, performer, and activist whose work spans queer nightlife, South Asian diaspora, ethnography, and performance studies. As an academic and artist, Khubchandani seamlessly weaves together storytelling, stand-up comedy, body art, and digital media, using drag as both a pedagogical and performative tool.

Our conversation delves into three transformative themes that define LaWhore Vagistan’s work: the Aunty as a symbol of resistance to drag as political activation and challenges of appropriations . We explore how the figure of the Aunty—often seen as a gatekeeper of culture and tradition—can also be reclaimed as a site of defiance, humor, and survival, embodying both power and subversion in South Asian communities. Through this lens, LaWhore Vagistan challenges the boundaries between gender discipline, queerness, and cultural identity, reimagining the Aunty as a force of resilience rather than repression.

Beyond performance, LaWhore Vagistan’s work is deeply political, using drag as a site of activism and resistance. We examine how she disrupts colonial, gendered, and heteronormative narratives through her academic work, public performances, and community organizing. From reimagining South Asian queer nightlife in Ishtyle: Accenting Gay Indian Nightlife to performing at global festivals and queer spaces, her work bridges academia and activism, demonstrating how drag can be a tool for social change.

This episode is a powerful reflection on the radical potential of drag as more than just entertainment—it is a cultural statement, a spiritual journey, and a political act. LaWhore Vagistan’s insights challenge us to rethink performance as a space of resistance, joy, and liberation. Tune in for an enlightening conversation that reshapes the way we view drag, faith, and the power of South Asian queer identity.

pic by Caroline Alden