[8:tension] Young Choreographers’ Series – Podcast
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[8:tension] Young Choreographers’ Series – Podcast
Podcast Description
Since 2023 Life Long Burning talks to the artists of ImPulsTanz’ [8:tension] Series to get some insights and anecdotes on their artistic work practices and their residence time during the festival in Vienna. Writer Sean Pfeiffer and the curators Breanna O’Mara & Chris Haring teamed up for this podcast. Until the end of the year, we release one episode of every Thursday.
The [8:tension] Young Choreographers’ Series at ImPulsTanz – Vienna International Dance Festival has been offering the opportunity to get to know a new generation of choreographers from all over the world and their work since 2001. Since 2024 the series is curated by Breanna O’Mara and Chris Haring.
Podcast Insights
Content Themes
This podcast delves into themes such as the evolution of performance art, the intersection of dance and visual arts, and contemporary societal issues. Notable episode examples include discussions on punk concert influences in 'The Myth: last day' by Netti Nüganen, personal expressions of queerness in 'Silent Lovers' by Luca Bonamore, and the exploration of digital commodification in works like 'FUGUE FOUR: RESPONSE' by Olivia Axel Scheucher and Nick Romeo Reimann.
Since 2023 Life Long Burning talks to the artists of ImPulsTanz’ [8:tension] Series to get some insights and anecdotes on their artistic work practices and their residence time during the festival in Vienna. Writer Sean Pfeiffer and the curators Breanna O’Mara & Chris Haring teamed up for this podcast. Until the end of the year, we release one episode of every Thursday.
The [8:tension] Young Choreographers’ Series at ImPulsTanz – Vienna International Dance Festival has been offering the opportunity to get to know a new generation of choreographers from all over the world and their work since 2001. Since 2024 the series is curated by Breanna O’Mara and Chris Haring.
Today’s guest is Netti Nüganen. Known to ImPulsTanz audiences as part of a number of Florentina Holzinger’s productions, she first presented one of her own performances at this year’s festival. Her piece The Myth: last day, a pseudo-archeological excavation turned punk concert, is an exercise in how history is constructed. With author Sean Pfeiffer, Nüganen further reflects on this intersection of fact and fiction. They also discuss how engaging with both text material and physical objects constitutes her performative practice.
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